Duccio di Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century. Related Paintings of Duccio di Buoninsegna :. | Wedding at Cana | Rucellai Madonna | The Transfiguration | Entry into Jerusalem | Slaughter of the Innocents | Related Artists: Frank H Desch1873-1934
Sophie Gengembre AndersonSophie Gengembre Anderson (1823 - 10 March 1903) was a French-born British artist who specialised in genre painting of children and women, typically in rural settings. Her work is loosely associated with the Pre-Raphaelite movement.
Sophie was born in Paris, the daughter of Charles Gengembre, an architect, and his English wife. She had two brothers, Philip and Henry P. She was largely self-taught in art, but briefly studied portraiture with Charles de Steuben in Paris in 1843. The family left France for the United States to escape the 1848 revolution, first settling in Cincinnati, Ohio, then Manchester, Pennsylvania, where she met and married British genre artist Walter Anderson.
Alexander Helwig Wyant American Tonalist Painter, 1836-1892,American painter. He began as an itinerant painter of topographical landscapes along the banks of the Ohio River c. 1854, influenced by such landscape artists as Worthington Whittredge and George Inness. In 1863-4 Wyant moved to New York, where he was impressed by the paintings of the Norwegian artist Hans Gude in the Desseldorf Gallery. This led him to work with Gude in Karlsruhe, Germany, in 1865. On his way both there and back, he studied paintings by Constable and used a more painterly technique especially for views of Ireland.
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